the boy
Book lands face down on carpet.
sheet lightening
The first time I watched you give birth to a baby boy, no amount of reasoning could stop you, from,
All rights reserved
Photography by Noel McLaughlin (www.noelmc.com)
& words by Anthony Hett (www.anthonyhett.co.uk)
Book lands face down on carpet.
Pen, pencil, ruler fly.
and anything else to hand...
Fresh black rubber marks on table tops
and anything else to hand...
Fresh black rubber marks on table tops
The boy gets angry! and chair legs protruding upwards through the tension.
The boy is angry. Thrown punches and spat out insults.
As angry as a boy
with nobody in this world Around the class
but his part-time mother. eyes sparkle with contained laughter
and shock paints the teachers face.
So he comes to school. But underneath this hostile and guarded exterior,
His emotions balled up the sweetest of young boys;
in his chest like a giants fist. well mannered and well capable.
Push him too hard
and the fingers spread And so I have to remember
releasing the tension and fear. that he brings his home life to school
because he doesn't know how to leave it behind.
Which manifest themselves That he doesn't hit out at me
as a reluctance to do work he hits out at the world.
which soon becomes a defiance And most importantly
and I raise the stakes I have to try to understand
and lay down an ultimatum. but remember that I never can
because I had great a childhood
Get up off the floor and I am privileged enough
and sit on your chair properly not to know how it feels.
or I'm going to have to tell mummy To have a part time mother,
how badly behaved you have been. working as a weekend prostitute,
I know the boy better, how did it get to this? from the house... you are supposed to be able to call home.
© Anthony Hett (2011)
It happens every Tuesday,
every Thursday
and sometimes on a Wednesday. He hears me, my voice penetrating his dreams,
Darion - the too tall for his age, he doesn't wake but he talks to me.
can't stop talking ten year old - has epilepsy. "I can see you. You're in my dream."
They say it's like sheet lightening going off in the brain "Who else is in your dream?" I ask him.
I don't know anything about that "Lots of people," he replies. "My family."
I only see the external pain. A smile washes over him,
but the serenity is soon lost,
At the back of the whale blue classroom as his face wrestles with a grimace
he tells me, that the whole of his upper body hurts and I ask him:
every Thursday
and sometimes on a Wednesday. He hears me, my voice penetrating his dreams,
Darion - the too tall for his age, he doesn't wake but he talks to me.
can't stop talking ten year old - has epilepsy. "I can see you. You're in my dream."
They say it's like sheet lightening going off in the brain "Who else is in your dream?" I ask him.
but the serenity is soon lost,
At the back of the whale blue classroom as his face wrestles with a grimace
he tells me, that the whole of his upper body hurts and I ask him:
but
that he was trying to keep it a secret "Where are you now?"
because he didn't want to disappoint anybody "I'm in a dark cell," he tells me. "Everyone's gone."
because he didn't want to disappoint anybody "I'm in a dark cell," he tells me. "Everyone's gone."
Part
of me feels like crying as I tell him
nobody is going to be disappointed in you I reassure him that he is not alone
you are unwell and none of this is your fault. and that I am sat right next to him.
nobody is going to be disappointed in you I reassure him that he is not alone
you are unwell and none of this is your fault. and that I am sat right next to him.
But it's nearly one o'clock.
I
walk him down the atmosphere-less corridor The end of my day.
to
the clinical stench So as he struggles to wake his legs,
of
the white medical room I tell him "have a good weekend"
uncaringly
placed next to the boisterous dinning hall and I leave him with somebody else.
where
the nursery – the noisiest of them all - dine on fish and chips.
It
must be Friday. I leave the school grounds and
It
doesn't normally happen on Fridays. think about how we'll do this all again next week.
I go home.
Darion
lies down on the bed but I don't leave him behind,
heavy
eyed I think about him all night.
I
tell him to close them He'll be fine.
and
instantly he's asleep all puppy dog eyes.
I
read the only Roald Dahl book I've never read before Waiting for me Monday morning
and
wonky lines of fresh faced children stream by all puppy dog eyes.
some
point, laugh and stare But I can't help but worry
“look
the boy's fast asleep” they say “in school” about what's going on in his brain
the increased frequency of his "moments"
It's
time that he woke up the cause and effect
he's
had a full hour his mixed up emotions and
and
although he could probably sleep all afternoon the repercussions on his confidence
he
either needs to go home but most of all I just sit and think
or
have some dinner and go back to class. about the sheet lightening going off in his head.
©
Anthony Hett (2012)
To Anthony. OR (The day I watched an 18 year old boy with
Down Syndrome give birth on the living room floor.)
For
three hours each Friday
for
the first school year I was in London
you
were the only friend I needed.
I
still often long for those carefree afternoons.
The
hours we spent together,
circling
the small 3rd floor playground
on
identical bikes, blue three wheel trikes.
That
you loved so much,
your
step dad bought you a black one for Christmas. But the one thing I never liked
Playing
bus drivers: you Mel and me Margaret. The one thing I could never miss
The
only way we would refer to one another The times the games got serious
and
the only way you would introduce me... to everyone. when you became so emerged
that the games and reality merged andThe first time I watched you give birth to a baby boy, no amount of reasoning could stop you, from,
on
the living room floor of the flat throwing chairs across the playground as a wrestler
designed to help you become more independent. and hurling abuse as an overly camp Jeremy Kyle.
I didn't know where to look, but
designed to help you become more independent. and hurling abuse as an overly camp Jeremy Kyle.
I didn't know where to look, but
jumping
right into the make believe. Or the day the heavy traffic holding up our buses
I
knelt down beside you and held your hand, had been caused by your only son
as
you pushed with all your strength being knocked down in the road up ahead
and
screamed with all your lungs. and the very real tears you cried, for his very imaginary death
©
Anthony Hett (2012)
For John...
The
room is alive with silence
chit
chatter, chit chatter,
chit chatter, my words falter
but
amongst the word hungry mouths but my heart skips to take over
spitting out thesauruses
two
do not speak. “a lot can be said about you
by the people who surround you
Dry
lipped John lies dormant, and you have surrounded yourself with great people
a
mind fully active and I believe that speaks volumes about you
but
unable to will it as he once had and for who you are”
a
body no longer his own
the last word drops - cold
I sit
in the background. a stone gob stopper landing at my feet
stitched to my seat my eyes well
I translate and John shuffles to speak
semiquaver thoughts only his arid throat withholds permission
that hang in the stale air -
between us but... he doesn't need to speak.
and interpret that he wishes he could mirror me As the room overflows
I
watch the voices dance over him with a cascade of
but
he remains the unwanted centre of attention. newly familiar voices,
Writing myself from the scene I decipher the harmonies
conversations
fall short of my ears that distil from his eyes, like painful parched tears
and
as I daydream and as warm bodies
one
by one cool the emotion in the room,
arrogant
voices are resettled down hall I fade back into my seat.
and a
silence howls through the room This is the last time we speak.
manipulating
my stillness
somebody
needs to speak © Anthony Hett (2011)
and
that somebody has to be me
only
the words don't come so easily
I wet
a cotton bud on a damp sponge
before
gently dabbing at
the
earth scarred deep
where
ancient tributaries once flowed
that
are his cracked lips
I
hope this is what his distant eyes wish
but
more than this he wills me to break...
Photography by Noel McLaughlin (www.noelmc.com)
& words by Anthony Hett (www.anthonyhett.co.uk)